While I’ve read countless tales of Black women and their coming of age hair stories that deconstruct weaves, celebrate ’locs and recount the many hours getting slathered with harsh chemicals beside their moms in the beauty parlor, rarely do I come across any accounts of men reminiscing about their own boyhood hair issues.
Kiandra Parks’ film Black Girl in Paris, based on Shay Youngblood’s novel of the same title, airs on HBO this February and March. The 20-minute short was Parks’ grad thesis project at NYU. Parks’ film follows an alternate path mapped out in Youngblood’s novel and focuses on the relationship formed between the protagonist Eden (played by Medicine for Melancholy‘s Tracy Heggins) and Luce (the brilliant Zaraah Abrahams), a fellow black girl in Paris surviving on luck and hustle. In this way, the beautifully shot film is for Baldwin’s Giovanni’s Room what Looking for Langston is for … well, for Langston. At the same time, the film pays homage to “black girls” like Josephine Baker, Ada “Bricktop” Smith, Marpessa Dawn and others who looked for the city to transform them in savvy cosmopolites and erotic subjects. That transformation, especially for black girls, is not always easy or glamorous, the film reminds us. But the experience of adventure is usually worth the price of the ticket.