more on perry and black feminism

For Colored Girls, Is Tyler Perry’s Film Enuf?
by Courtney Young

What is the price paid when a director widely considered to be anti-feminist interprets a beloved black feminist text for film? Can a piece as endearing as Ntozake Shange’s 1975 classic choreopoem For Colored Girls Who Have Considered Suicide When the Rainbow is Not Enuf reach its full cinematic potential outside the hands of a black female director? When movie mogul Tyler Perry first announced he would be reviving the celebrated text for the screen, many fans of the original production reacted with dismay, worry, even anger. A deft combination of poetry, music and movement, the choreopoem gives life to the voices of seven unnamed women distinguished on stage only by a singular color of dress. The piece allows each woman to relay her story frankly, at times through a collective narration, airing a host of issues that affect black women’s lives—rape, abortion, domestic abuse and child murder, but also love, sex, and friendship. Would the complexity of black women’s lives and voices survive in Perry’s hands?

Continue Reading @ The Nation

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About jennifer williams

Jennifer D. Williams is a writer and professor of English and Women's and Gender Studies. She has published in academic journals and online at Ms.blog, PopMatters, among other sites. Jennifer is currently working on a book that looks at black women's urban literature between the Depression and the civil rights era.

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